New Chord Shawline Audio Speaker Cables 2 x 4m (A Pair) Terminated.
The cables are high double pressure crimped of professional crimping tool AIRLOC HIGH PERFORMANCE TERMINATION (for maximum contact surface area)To a Very high quality 24 gold-plated AIRLOC spring-loaded plugs on both ends..
The ends finished with branded colour coded black and red (marked arrows) directional heat shrink sleeves.
Additionally all strip of conductors ends they are coated with extra RED & BlACK High Density Matte Solid Expandable Braided Cable Sleeving.It is the Tight, High Quality, High Density, Matte, Solid Sleeving Which protects and hides wires while Increasing air flow.
AIRLOC a solder-free, airtight perfect fusion between the two metals of cable and plug. This ‘cold weld’ method allows the cable and plug to offer the optimum signal transfer and therefore, better sound quality. It also reduces contact resistance and ensures perfect long-term performance.
NOTE: The cables are directional so prior to connecting, make sure that the arrows run from the amplifier to the speakers terminals.
If you would like different type plugs 24Gold-Plated BFA Z-Type 4mm plugs (Compatible with
Arcam – Linn – Cyrus and all other good quality audio products),or spade connrctors.
Please contact me.
• The Chord other Bi-Wire Link (Speaker Jumper Cables).
• The Chord Analogue Interconnects.
• The Chord other Speaker Cables.
Chord Shawline speaker cable can convey great information extremely well and produce real improvements to the weight, attack and dynamic of bass, likewise mid and treble. Cymbals are noticeably more realistic and acoustic guitars and pianos.
This cable is part of the Shawline cable range which includes loudspeaker cable and digital and analogue interconnects. Shawline cables have been designed to perform together. However, all Chord interconnects and speaker cables follow a similar design philosophy. This means that all Chord cable ranges are compatible with each other.
I began with the speaker cables and Patti Page’s No Moon At All from the stereo 1959 reissue (you see? they were even reissuing music way back then) of 1950’s The West Side, fronting Pete Rugolo’s orchestra.
The Shawline speaker cables seemed to lift the entire soundstage upwards and towards the ear by degrees, effectively upping the gain a tad in the process. You might infer, therefore, that the sound had been artificially compressed with concomitant bright upper mids and tinny treble following close on its heels. That didn’t seem to be the issue here but I did frown a touch because there was, at least at this moment it seemed to be, a slight edge to the output.
The often confusing scramble on the left channel that saw the orchestra play both trumpet and trombone closely together can often have the ear mixing the two instruments up, on lower quality kit. The Shawlines separated the instruments enough to allow the ear to differentiate between the two. Hence, the resolution of the track was improved. The enhanced resolution also allowed the ear to separate one later sequence that had Page singing merrily, with a subtle piano right under her voice and secondary percussion behind her while the whole lot sat on the lower frequencies of a double bass. Each one of these sonic features could easily be heard, such was the instrumental separation from the Chords.
Moving to lead singer with Porcupine Tree, Steven Wilson’s solo LP The Raven That Refused to Sing And Other Stories. Playing this high energy title track, that slight clinical edge appeared again. This time on a rhythm guitar that plucked out the basic tune of the track over and over. I suddenly realised the simple solution (all solutions are simple when the light dawns). My pre-amp has 100 notches on his volume control. I lowered mine by just two notches and everything fell into place. Gone was any hint of the clinical but the detail and insight that I had previously experienced remained. If I upped the volume, the entire soundstage experienced a cooling with the odd instrument offering that clinical feeling. There was no actual brightness or harshness, though. The effect wasn’t particularly bad but the music suddenly played under a general spotlight.
When handled correctly, the vocals were emotional and full of subtle textures, cymbal hits were fragile and cloud-like, bass had punch and strength while there was enough life and vitality to the soundstage to get those feet tapping.
*100% High quality*
*guarantee of quality*
*I send all item/s within 1-2 days*
If you would like a different combination of spade connectors to banana plugs, or different cable lengths, please ask. Please have a look at our other items, Any questions please contact with me.Thanks for looking.